Fruit Intermezzo 30-10 by Rob van Hoek

size: 50cm x 60cm (w x h)
media: Oil Pastel
price: £750; $1090; 1220


Autobiographical Note:

Born: 21-01-1957

Professional artist since 1992

I have taken part in the following exhibitions:

1994InterartHeeswijk-Dinther solo
1995Jan van MunsterDen Haag solo
Art OptionsWijk bij Duurstede solo
Hofman en PartnersAlphen aan de Rijn group
1996Holland Art FairDen Haag group
Hofman en PartnersAlphen aan de Rijn group
Art OptionsWijk bij Duurstede group
1997Anton GiddingDen Haag solo
Art OptionsWijk bij Duurstede group
1998Smelik en StokkingDen Haag group
1999Smelik en StokkingDen Haag group
Blackheath GalleryLondon multi
Kunstuitleen West FrieslandHoorn group
2000Blackheath GalleryLondon multi
Smelik en StokkingDen Haag solo
Het Oude RaadhuisWarmond solo
Peter LeenBreukelen group
Art OptionsWijk bij Duurstede solo
Blackheath GalleryLondon group
Brauckmann/Le cheval BlancHeemstede solo
2001De PraktijkWissenkerke solo
Peter LeenBreukelen group
Blackheath GalleryLondon multi


My paintings are represented in collections in the Netherlands (both private and state supported) Great Britain, Belgium and Japan.

For the last ten years I've made all my paintings with oil-pastels. I developed a special technique enabling me to work with this greasy material in several layers. Each layer that is completed I carefully heat with an electric paint stripper. After cooling down the next layers adds very well. In this way I can build up my paintings getting rich, velvet like colours and a lovely texture.

The only drawback is the physical effort it takes to put all that oil-pastel on the board. Because I feared I was developing a kind of RSI I have taken up painting with oil on canvas to be able to change between materials. At first I didn’t like it: I was so adjusted to work with the oil pastels I had to unlearn this habit. But now I am really happy painting with oil and I believe they are of the same quality as my pastels.

Nearly all my paintings are landscapes. They are not actual landscapes, I make them up. Playing with form, composition and symbolic landscape icons ( such as trees, flowers and farm lines), I seek to create a painting that is not boring, because it is too well-known, but one that keeps asking to be looked at it, as it's a very personal view of our world.

Painting with oil I increasingly aim at simple compositions and translucent atmospheric colours, hoping to create timeless images of peaceful beauty.